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About Alan Reynolds

Poet born and raised in North Carolina and now after a sojourn in England a long-time resident of the Netherlands. More than 4,000 poems, many published in US and UK literary magazines and on CD and in books.

Hitchhiking Nigel Gets Florida Holiday Ride from Psycho Patti

Nigel, thinking full frontal means lobotomy
and wondering should the church oppose free sects,
walks along the highway from Ochopee.
He looks for where the tarred state road connects

to take him down to the Everglades. He sees a wind tee
and guesses where the airport intersects
the flat horizon is where he wants to be.
A Dodge Viper, kicking gravel, disconnects

him from his thoughts, and he looks in to see
a short-shorted, tank-topped driver who erects
her middle finger at him. ‘You mean me?’
he asks. ‘See any other derelicts?’

Psycho Patti pouts. ‘Do you want a ride? It’s hot?’
Her décolletage makes hot, tired Nigel mute.
He jumps into her car before he’s got
a glimpse of the Glock she points to show the route

to the Everglades. She offers him some pot
and things go well until he says, ‘You’re cute.’
Patti’s eyes pop red. She brakes, makes Nigel squat
at gunpoint and duck waddle to the boot

of the Viper and get in. She bangs it shut,
She’s sweating, knows this time she can’t be late!
She races fate to reach her swamp-edge hut.
She wonders how long alligators wait.

Bare Witness

The witness knows the truth he shows
will never make a difference.
The king has set men proven bad
enough by being bought once

to be his congress and his courts.
The witness does not matter.
The proofs he brings are disallowed.
The judges just get madder

at him, not at the crimes against
the nation and the people.
Their verdict is to hang the witness
as an example from the steeple.

The execution day arrives.
The baying mob is festive.
If Truth is honoured anywhere
it’s not this place, suggestive

of Dante’s rings, of auto de fé.
The witness, broken, bitter,
is trundled along in a wooden cart
behind the crazed king’s litter.

It is now, in the books you’ll read,
that the saving angel appears.
It won’t—not here. The witness lives on
only in fairy tales, my dears.

Supply Slide

‘To stiff a virus in mid song,’
clinicians say, ‘cannot be wrong.
So by extension it is we
whose work will set the planet free.’

‘No, by best logic it is us
(your ‘we’ is twee but who’s to fuss),’
say engineers, and build a road
as killing field for cat and toad.

‘We make the vehicles, their lamps,
refueling stops, and maintenance camps
so humans can ride roughshod through
the habitat of owl and shrew.’

‘With our aid fools can forests fell,
inverting lines that used to swell
with fair-caught trout. They are no more
now we’ve made nets and heavy bore.’

‘A piece of Heaven with a beach
was not beyond our tankers’ reach.
To those who washed the birds in answer
we sent a friendly warning: cancer.’

‘No, not warn thém. They all will die.
The warning’s for their friends who cry
and for their children left alone:
the world is ours hours to own.’

Clinicians treat the engineers
for nightmare, lower-colon fears,
and for their failing faith that they are right
to hide the stars with manmade light.

These same clinicians, when they quail
at questing for the Holy Grail
of killing other forms of life
go kick a cat or take a wife

or husband as their own advisors
and when that fails, hire advertisers
to put a better spin on things
and blow expensive smoke that rings

the bug-free swamps and empty fields
with figures of fantastic yields
of crops that look superbly neat
and that sport a shelf life you can’t eat.

The advertisers takes the wages
that they are paid to serve as sages
and buy furred robots, shiny cars
and sell us colonising Mars.