Ulla

Blonde Ulla’s left her heart in Kristiansund
with school photographs in Helen’s husband’s file
under a lock he clipped one evening when she’d swooned.
She’s left the harbour lights that glare for miles
at the cheeky deep-sea vessels that they’ve mooned
since oil was found offshore. Her mother smiles
when she reads Ulla’s letters from a part
of Europe far away. Poor Ulla’s heart.

Ulla’s other parts take her to the Costa Blanca
and are themselves too much, her rivals pout.
Her brain is sharper than a custom Tonka
toy car with fins flint-sharp enough to rout
competitors. And, socially, to plonk a
leg near hers makes other girls lose out.
They’ve been men who loved her till death did them part.
There are men and women left who want her heart.

Blonde Ulla works the coast line from Valencia
to Alicante, helping automate
shoe factories and banks, intelligentsia,
and anything with cash. Her systems rate
with world leaders who experience agnosia
to all else when she speaks, and she is great
at language, and assisting in downsizing,
and, being heartless helps, ‘reorganising.’

This week finds Ulla at her own convention,
one she’s dreamed up, promoted, and now chairs.
Its theme is expert systems for prevention
of further global warming. Miguel stares
when she (he’d thought her mindless) says, ‘Encryption
of our source code guarantees, for those who dare,
they’ll own the only axe that saves the wood,
and do extremely well from doing good.’

Miguel (his English mother calls him Michael)
stares on as Ulla finishes. His trance
continues until Whap! he sees the mike’ll
give him a way to meet her. ‘Grab the chance,’
his heart berates his head, ‘Quick, on your cycle.
Think up a line to make her want to dance,
then pedal like a shaman to her side
and set your grin on Honest/Open/Wide.’

‘Your majesty,’ young brain-stunned Micky mumbles,
then, growing up, speaks on in dulcet tones,
‘Ms. Chair, excuse me, but the share price tumbles
at times like this. I feel it in my bones
that your mike’s bugged, and when the crumpet crumbles…
Excuse me, I mean criminals wire phones.
Don’t say another secret! Take the stairs
up to the ballroom, join the Astaires.’

Ulla watches Micky while she’s thinking
every Windows conference has its mouse.
But, as she notes the way his ego’s shrinking,
her inner id speaks up: ‘Don’t be a louse.
Perhaps he’s an investor, one for drinking
with and learning secrets from. Your house
of hard and software would be so much rubble
if you didn’t mix its brick with field-trial stubble.’

Miguel, who’s rich because he’s good at getting
the message while he cannot understand
the language, grins as he picks up the letting
go, the coming down, of Ulla’s band
of usually-up defences. ‘I’m forgetting
my manners and convention. Is your husband
not here? You’re single?’ He’s on cruise control
as he leads her softly to the spiked punch bowl.

Ulla, while she is not one to wallow
with anybody, customer or not,
has perfect legs that secretly are hollow.
They let her drink opponents on their twat
s. ‘You’re on, amigo. There is no Valhalla
for Vikings if they die not drinking rot.’
She drains a pint and with no backward glance
lets Micky catch her up. They start to dance…

She feels that sex, like film, the church, and fiction,
depends on skills suspending disbelief,
and she fantasises love should guide one’s friction.
Were her partner not in love, he’d be a thief
who would not miss her heart. She loves his diction
but dreams of tangos. Dancing was the chief
reason that she let him in her bower
before they’d known each other for an hour.

She wakes, amazed to see him watch her eyes
as were she sheeted, or he sought a sign.
She showers, strides the terrace while she dries.
‘If I weren’t Viking I’d not blame the wine.
I’d think his sounds not whistling snores but sighs.’
Miguel regards her, thinking she’s divine.
He sees her as an angel from above
and falls, his first time ever, into love.

Cicada Wall

There are squirrels and a wall of cicadas on this ship.
It’s so large its bow is a matter for belief
or cynicism to us on its stern.

The no-go area that the green man’s family
decreed must always surround him leaves us room
for deck chairs and depression and the chapel
we retire into for prayer when it rains hard.
This is in fact a truly enormous ship.

You might think this is about the green man. You’d be wrong.
He’s been written off so long that he has offered
to bury his own ego in the chapel
but his family says that shows too much respect.
For him. ‘You’d dis the chapel!’ they accuse.
We shall leave him in his no-go while we sail.

‘More love than I can ever want or use,’
is the cri de coeur of lost souls who abuse
the atmosphere by breathing it. Who knows?
There may be more to life than they suppose.

The ship gets underway, its cheerful wake
contrasting gaily with those that we hold
for the green man. But forget him. Underway!

The cicada wall moves with us, clever flying
if they really fly and aren’t pinned to the wall
that is in turn pinned to the ship’s port rail.

Ship bells calls us to dinner, the second sitting.
We walk through the no-go area on the way.
It has only virtual boundaries, which the green man
through piety and custom honours. Come!
He is not worth your attention. Let’s go eat.

The rain drives harder. Tall, green waves course by.
Drenched squirrels crowd past us rushing to their cabins.
The cicadas — they weren’t pinned — cut loose and fly,
their timbals clicking as the storm clouds darken.

The lounge is still and cocktails gently slosh,
the only indication we’re at sea.
I have been in smaller hotels, smaller towns.
A steward asks for bets that the green man drowns.

He gets no takers. There’s no green man on board
or, if he is, no person in first class
or second class or steerage will admit
they know anything about him anymore.

* * * * *

The green man reaches for and through my heart.
‘He’s not here, he never was!’ his children shout.

I have not been bothered lately by the squirrels.

There are dogs outside my cabin lacking muzzles.
They are fair likenesses of Satan, licking chops.

We dress for dinner: scalpel-dressed hung venison
is the first of many courses in the gauntlet
we run pursuing pleasure oh so long
that when we catch it, it and we’re undone.

The green man’s nonexistence weighs me down.
Were a shark to bite my leg I’d say, ‘You’re welcome,’
sensation costing what it does these days.

Death stalks us every day. We ridicule him
with impunity each day until he strikes
and then no more. The raven had it right.

Cicadas steal the social captain’s table.
The richest guests of whom I too am one
are as one demanding they be stolen too.

The cicadas fly the table to the wall
on the port rail of the fantail, set it down
and set it with a service just for one.

There’s ever so little here that I understand.
The squirrels comprise an adequate brass band.

Cicadas circle dreamily in lieu
of swans so far from shore. They’ll have to do.

The oldest son of the green man has no father,
to hear him tell it as he often does.
‘An old man,’ he says, ‘is an unholy bother.’

This Poem Exists

This poem exists, because
the sea and sunlight mingle.

In the nighttime of life
when men’s vandalism ruins the good
the blood collected by hospitals
spills into streets pocked by bombs.

The song of the thrush is eclipsed
by the glare of decay.
The sound of the moon is a sight
no one living remarks.

This poem exists, because
not all that we call hope is lost.

The hospital blood banks are ugly.
Their smell is of death.
‘Remember the good,’ seers cry.
Did it ever exist

except in the dreams of the besotted
enamoured? They died.

On the edge of the empty, the fullness
goes pale and winks out.
The vandals trap songbirds,
collecting their tongues for the sound.

This poem exists, because
if it does not continue, what then?

RESILIENCE

She leans
Against the wall
Where they stood the children
And shot them for not bowing to
The tzar

She sees
In her mind’s eye
The pregnant women shackled
While senators abase themselves
To tzars

She stands
And dries her tears
And calls those who still hear
To redeem the republic with
Their hands

Descending Blues Man

he was descending through the bottle
forgetting why he no longer could remember
he made some lyrics that he sang off key
and he sang them to all of his early selves

the guitar that he imagined he was playing
hit the chords that early mornings made him weep
and he took that for a sign he was still human
or might of been or probably was that day

that he made the choice or did not, it makes no mind,
when he finally saw the end game
when he finally saw the end game
and realised that he had not been chosen

he’d not been chosen first and he’d not been chosen last
for the whirling pickup game of active life
and he remembered and forgot again he’d been that man
who could have done that choosing and he had failed.

Lost of the Summer Whine

Jackdaw sharing snacks
For the requisite wine I head to the harbour to write.
After watching for a minute the zoo on the sailboats today
I give up on those facts which are not what a reader’d believe
such as the man on a yacht with a bone China plate on his knees
who eats like a dog would if Rover or Lassie had hands,

and the two men in short shorts who are mooring their boat on the quay
while they smile at each other more ardently than most couples do.

Then there are the English, who speak — you can tell: they do not move their mouths —
imparting banalities with a welcome so-long-vowel wait.

There are Germans and Spaniards, and also a jackdaw one knows
and a ponderous Pole who is checking for runs in her hose.

Under her table a terrier, shamed by the way people eat,
pretends it’s asleep by remembering to shiver its legs.

The next-table lady who is biting her syllables sharply
looks down at a text every time that her husband speaks up.
How stern she appears, sitting there as she stares down the menu —
or catalogue, is it? — as if she’s remembering back when
she, attired in woad paint, was a pin-up rum punch for the Normans.

Her husband tries lightening things up: he drinks himself blind,
which is slow heavy business, the bottle-blonde waitress distracted
by the jackdaw who teases my snacks, and by the tan terrier’s trembling
and by a bellicose Spaniard who is telling all tolls are atomic.

‘Did you get that?’ the Pole asks. I realise she’s speaking to me.
I’m at sea now, absorbing Merlot like a fly-about magpie
fined for picking up bits from a windswept white rough-water beach
and for cosseting this summer’s rude stage as a fair-weather friend.

‘If you really looked what would you see?’
my table mate jackdaw enquires of me.
I look at him and we both lose
ourselves in snack-filled intervals.
Small children cycle to and fro.
Gulls imitate a pregnant crow.

At dusk, above a script I cannot read
gulls gyre and shriek, imitating maids
that fuelled Vikings in their dreams
of conquering Saxons, quaffing mead.
I drain the glass, embrace the glow
and tell the jackdaw it’s time we go.

High School Summertime

Dancing slow in the dark at Royal Pines
Quart Budweiser bottles warming in the car
Old cars race the moon down curvy streets
Rock music blaring over floodlit grass

Pretty girls and eager gangly boys
Any music fine if it is loud
Rock around the clock and to the car
People talking like somebody listens

Insects flying up at cooking lights
Play at being grownup without getting old
Cooking something fancy in the mind
Dancing slow at Royal Pines

For sWimbledon Sake

I remember, in what passed that year for summer,
I had been reading books and smoking mind.
Tom Robbins’ Villa Incognito drummer
pla-bongad maidens, paying them in kind
for sake, kindness. I kept getting dumber,
imagining sense and ethics intertwined
although there was no evidence they did.
I dined on farm-fresh salmon, freeze-dried squid.

The Nordic storm inside my living room
fed on the rain lawn-tennis television
emitted. Ice floes threatened to entomb
the paddy-fields, and Jack Frost sneered derision.
A serene Serena braved the baseline flume,
excused a blinded-line-judge bad decision,
and hit a forehand through her blond foe’s pout,
and would have won, but was again rained out.

the year being remembered: Associated Press July 3, 2004
‘WIMBLEDON, England – A day after a pair of enthralling, three-set women’s semi-finals enlivened Wimbledon, unrelenting rain and uneven match-ups conspired to produce a dreary Friday on which neither men’s semi-final was completed.’