Midsummer Slump

Pelicans peeing in Sanibel surf
before peeling down, scooping up fish,
fly ragged lines, brown bumpkins in the sun.
An osprey perches on the TV dish
that Clyde installed last year. Palmetto leaves
hang down rust brown hung over from the storm.
They dust the white rock path to tepid pool.
where spiders shade beneath its azure ledge.
And spider food sings in the unclipped hedge
that screens the pool and leads to breeze-mussed beds
in maid-abandoned musty pastel rooms
where silent windows look out on the sea.

Morning Glory

The blackbird sings instructions for his son
on how and when and where and why to fly.
His wife looks on and when she thinks he’s done
she shows their son the birdbath. Later, dry
enough for summer, Pa sings of frost and cats,
and Ma chants rhymes of when the berries ripen.
All three birds practise blackbird riffs and scats
as if they’re horns for music God pipes in
to underscore the beauties of this world.
The score extends and galaxies unwind
and hang half out of sight like flags unfurled
on misty moors at dawn while I, half blind
to what they sketch, smile as song fades away
for here birds sing the world alive each day.

Not a Lot of Glottal Stops

Red squirrels, a tired grey possum, and a werewolf.
The possum and the squirrels are not totally here.
Primarily, they are in another universe.
The werewolf is all here and totally hungry.

‘I am half hungry,’ says the possum, voice projected
from a heatsink and a distant frozen planet.
‘We are not half hungry,’ say the famished squirrels.
Our thin vicar, for the werewolf, was a snack

and our buttery Bishop wears full body armour.
’Buttery,’ moans as the werewolf, ‘and full-bodied.
I can’t afford such metaphors. I’m starving.’
‘They’re not,’ the possum answers, ‘metaphors.’

This dream dissolves in glop and glottal stops.

From SEMI-SENSED DREAMS, a series so far as I know of one.

Ulla

Blonde Ulla’s left her heart in Kristiansund
with school photographs in Helen’s husband’s file
under a lock he clipped one evening when she’d swooned.
She’s left the harbour lights that glare for miles
at the cheeky deep-sea vessels that they’ve mooned
since oil was found offshore. Her mother smiles
when she reads Ulla’s letters from a part
of Europe far away. Poor Ulla’s heart.

Ulla’s other parts take her to the Costa Blanca
and are themselves too much, her rivals pout.
Her brain is sharper than a custom Tonka
toy car with fins flint-sharp enough to rout
competitors. And, socially, to plonk a
leg near hers makes other girls lose out.
They’ve been men who loved her till death did them part.
There are men and women left who want her heart.

Blonde Ulla works the coast line from Valencia
to Alicante, helping automate
shoe factories and banks, intelligentsia,
and anything with cash. Her systems rate
with world leaders who experience agnosia
to all else when she speaks, and she is great
at language, and assisting in downsizing,
and, being heartless helps, ‘reorganising.’

This week finds Ulla at her own convention,
one she’s dreamed up, promoted, and now chairs.
Its theme is expert systems for prevention
of further global warming. Miguel stares
when she (he’d thought her mindless) says, ‘Encryption
of our source code guarantees, for those who dare,
they’ll own the only axe that saves the wood,
and do extremely well from doing good.’

Miguel (his English mother calls him Michael)
stares on as Ulla finishes. His trance
continues until Whap! he sees the mike’ll
give him a way to meet her. ‘Grab the chance,’
his heart berates his head, ‘Quick, on your cycle.
Think up a line to make her want to dance,
then pedal like a shaman to her side
and set your grin on Honest/Open/Wide.’

‘Your majesty,’ young brain-stunned Micky mumbles,
then, growing up, speaks on in dulcet tones,
‘Ms. Chair, excuse me, but the share price tumbles
at times like this. I feel it in my bones
that your mike’s bugged, and when the crumpet crumbles…
Excuse me, I mean criminals wire phones.
Don’t say another secret! Take the stairs
up to the ballroom, join the Astaires.’

Ulla watches Micky while she’s thinking
every Windows conference has its mouse.
But, as she notes the way his ego’s shrinking,
her inner id speaks up: ‘Don’t be a louse.
Perhaps he’s an investor, one for drinking
with and learning secrets from. Your house
of hard and software would be so much rubble
if you didn’t mix its brick with field-trial stubble.’

Miguel, who’s rich because he’s good at getting
the message while he cannot understand
the language, grins as he picks up the letting
go, the coming down, of Ulla’s band
of usually-up defences. ‘I’m forgetting
my manners and convention. Is your husband
not here? You’re single?’ He’s on cruise control
as he leads her softly to the spiked punch bowl.

Ulla, while she is not one to wallow
with anybody, customer or not,
has perfect legs that secretly are hollow.
They let her drink opponents on their twat
s. ‘You’re on, amigo. There is no Valhalla
for Vikings if they die not drinking rot.’
She drains a pint and with no backward glance
lets Micky catch her up. They start to dance…

She feels that sex, like film, the church, and fiction,
depends on skills suspending disbelief,
and she fantasises love should guide one’s friction.
Were her partner not in love, he’d be a thief
who would not miss her heart. She loves his diction
but dreams of tangos. Dancing was the chief
reason that she let him in her bower
before they’d known each other for an hour.

She wakes, amazed to see him watch her eyes
as were she sheeted, or he sought a sign.
She showers, strides the terrace while she dries.
‘If I weren’t Viking I’d not blame the wine.
I’d think his sounds not whistling snores but sighs.’
Miguel regards her, thinking she’s divine.
He sees her as an angel from above
and falls, his first time ever, into love.

Cicada Wall

There are squirrels and a wall of cicadas on this ship.
It’s so large its bow is a matter for belief
or cynicism to us on its stern.

The no-go area that the green man’s family
decreed must always surround him leaves us room
for deck chairs and depression and the chapel
we retire into for prayer when it rains hard.
This is in fact a truly enormous ship.

You might think this is about the green man. You’d be wrong.
He’s been written off so long that he has offered
to bury his own ego in the chapel
but his family says that shows too much respect.
For him. ‘You’d dis the chapel!’ they accuse.
We shall leave him in his no-go while we sail.

‘More love than I can ever want or use,’
is the cri de coeur of lost souls who abuse
the atmosphere by breathing it. Who knows?
There may be more to life than they suppose.

The ship gets underway, its cheerful wake
contrasting gaily with those that we hold
for the green man. But forget him. Underway!

The cicada wall moves with us, clever flying
if they really fly and aren’t pinned to the wall
that is in turn pinned to the ship’s port rail.

Ship bells calls us to dinner, the second sitting.
We walk through the no-go area on the way.
It has only virtual boundaries, which the green man
through piety and custom honours. Come!
He is not worth your attention. Let’s go eat.

The rain drives harder. Tall, green waves course by.
Drenched squirrels crowd past us rushing to their cabins.
The cicadas — they weren’t pinned — cut loose and fly,
their timbals clicking as the storm clouds darken.

The lounge is still and cocktails gently slosh,
the only indication we’re at sea.
I have been in smaller hotels, smaller towns.
A steward asks for bets that the green man drowns.

He gets no takers. There’s no green man on board
or, if he is, no person in first class
or second class or steerage will admit
they know anything about him anymore.

* * * * *

The green man reaches for and through my heart.
‘He’s not here, he never was!’ his children shout.

I have not been bothered lately by the squirrels.

There are dogs outside my cabin lacking muzzles.
They are fair likenesses of Satan, licking chops.

We dress for dinner: scalpel-dressed hung venison
is the first of many courses in the gauntlet
we run pursuing pleasure oh so long
that when we catch it, it and we’re undone.

The green man’s nonexistence weighs me down.
Were a shark to bite my leg I’d say, ‘You’re welcome,’
sensation costing what it does these days.

Death stalks us every day. We ridicule him
with impunity each day until he strikes
and then no more. The raven had it right.

Cicadas steal the social captain’s table.
The richest guests of whom I too am one
are as one demanding they be stolen too.

The cicadas fly the table to the wall
on the port rail of the fantail, set it down
and set it with a service just for one.

There’s ever so little here that I understand.
The squirrels comprise an adequate brass band.

Cicadas circle dreamily in lieu
of swans so far from shore. They’ll have to do.

The oldest son of the green man has no father,
to hear him tell it as he often does.
‘An old man,’ he says, ‘is an unholy bother.’

This Poem Exists

This poem exists, because
the sea and sunlight mingle.

In the nighttime of life
when men’s vandalism ruins the good
the blood collected by hospitals
spills into streets pocked by bombs.

The song of the thrush is eclipsed
by the glare of decay.
The sound of the moon is a sight
no one living remarks.

This poem exists, because
not all that we call hope is lost.

The hospital blood banks are ugly.
Their smell is of death.
‘Remember the good,’ seers cry.
Did it ever exist

except in the dreams of the besotted
enamoured? They died.

On the edge of the empty, the fullness
goes pale and winks out.
The vandals trap songbirds,
collecting their tongues for the sound.

This poem exists, because
if it does not continue, what then?

RESILIENCE

She leans
Against the wall
Where they stood the children
And shot them for not bowing to
The tzar

She sees
In her mind’s eye
The pregnant women shackled
While senators abase themselves
To tzars

She stands
And dries her tears
And calls those who still hear
To redeem the republic with
Their hands