Alive and Kicking

Alive and Kicking-1

I follow thoughts that lead me to despair.
I take their hands and turn them. We head home.
They show me homes that are no longer there
if they ever were. Despair strips comfort bare.
Be rational, I think. That makes things worse.
At the end of time clear vision is a curse.

The jackdaw lands before me, caws my name.
It enquires why I am wasting hours moping.
‘You’re alive. Why are you kicking? You’re not lame
except in chances that you let escape by hoping
for a perfect world you are proof does not exist.’

I try to think things through. The jackdaw flies
before me. Wings beat on my dismal thoughts
until they are exposed for what they are.
I laugh and chase the morning and the bird.

Court

I went inside. There were squirrels and dromedaries.
I saw robed figures I assumed were human.
The shorter dromedary bid me welcome.
Grey squirrels tail-swept dust from a leather chair.
I sat. That let the theatre begin.
The witnesses were called. They did not answer.
The prosecuting dromedary belched.
‘It’s the Irish grass,’ she said. ‘Peat gives me gas.’
She dropped the charges. They bounced and exploded.
What had been floor consumed all but the chair.
With the squirrels and me on board, its jets sufficed
to eject us out through what had been the door.

Gift

When the purest of blank verse is only that:
blank, and a strong and better man would be
out mending walls, or tending reputation,
or reading from his work to paying folk,
I sit here, scribbling out a heart. Not mine,
but one I conjure, thinking it is real,
and mine. The wishing makes it nearly so,
or close enough for semblances I seek.

I once was real, but wryly gave that up,
to sample dreams and synthesise them in
a mythic past, a future that still comes,
and presents noted for their absent joys.
The wanting that I hankered for was real
and almost satisfying, in the way
it stifled action those productive years.
It stuck like cotton candy two days on.

The action-packed adventure we call life
is but one option, poorest of the three
that we receive on being born on Earth.
The better, middle, option is to dream,
to fly by reading, stealing no one’s turf:
to witness without comment or emotion.
I lived the middle option twenty years
and suffered less than in the active ten.

When drugs succeeded pressing symptoms flat
the medics disinterred me and I left.
I climbed the ladders of a corporation.
I joined clubs that served my fellow man
I never met; the best clubs work that way.
The exploitations that I organised
brought profits to my country and the stocks
appreciated. Some of us grew rich.

One time, when I was overworked and tired,
a virus struck me. Once again I dreamed.
The doctors clocked electroshocks for weeks,
and bosses hid my children in a cave
till promises extracted (I’d not dream)
had satisfied all parties (I don’t vote).
My family reunited (we’re a team);
I doubled my own quota, won a raise.

I had three cars, and thus was four hands short,
till chauffeurs hired to drive the other two
arrived in tasteful livery (I chose blue).
I chose, those days, the all-important ways
to earn, invest, rechurn, divest the shares
of this grand world we dominate by thought.
We think it’s ours. Such thinking means it is.
A good outlook if one’s to live a thousand years.

Yesterday, accepting one more prize,
I fell against the podium. Fell hard.
The doctors tell themselves there’s something wrong,
but they are wrong. The third, forgotten, way
has ripped and tipped its way into my head
and spread throughout my body. I am free.
The lower ways, of action and reflection,
lose their empty lustre. I am free.

No words, no threats, no deed can occupy
the private places I have learned to fly.
You see, you think, that I am sitting here,
but I ride down to glory, or I sleep.
Worlds collide, and somewhere robins chirp.
It’s all the same, and different. It’s a dance.
My lady holds my hands. I think we weep.
A starving hedgehog’s nostrils gleam with fire.

A moon or two disintegrate in sound.
You watch me. I’m immobile if I’m here.
A bass guitar sounds new chords that I know.
I hug my lady. Dust assumes new forms
we knew of old when myth awaited birth.
The thinnest light a mortal ever sees
is wide enough to ride on. We depart.
We are the suns, the moons. We are the earth.

Innings

This cannot be the blues. There’s no guitar,
just a rinky-dink piano, and someone crying,
and driveway gravel ploughed up by a car
that’s scratching off. There’s always someone dying.
Is today my turn? I’m standing tall at bat:
strike two, ball three, two out, the bases loaded
and a pitcher with no face beneath his hat.
He throws down like a Gatling gun’s exploded.
I don’t even see which ball home runs my head.
Lights flash and vaporise, go slowly out.
I try to walk to first but fall instead.
I see — I cannot hear — the umpire shout
as the pitcher drives up in a silent car,
its hood ornament a stringless steel guitar.

Grey Rabbits

‘At the time it seemed important.’
                  ‘I’m sure it was.’
‘Her song. Grace Slick. Search for that sly white rabbit.’
‘A Lewis Carroll stroll. Updated Oz.’
‘Our lines, like then, keep rhyming.’
                  ‘An old habit.’

Their conversation pauses. Pops.
                  Rewinds.
Songs bridge the gaps between the two old friends.
Remembering Grace and remembered grace entwine.
They keep on, keeping time.
                  The music ends.

Apathy is a Developing Response

Apathy is a developing response.
Ask the young what should be done about some ‘X’
and they will answer with a certainty admired
by falling rocks which don’t so straightly plumb
the depths as do the certainties of youth.

In middle age, amongst their bouts of rage,
the folk, perplexed by living the long riddle
they call their lives, will entertain first doubts
about positions they once firmly held.
And then they’ll hold them tighter, fear letting loose

and a fall into ‘senescence’ — as we call
that acceptance Buddha lauds and Calvin hates,
where the answer to what one’s required to do
engenders daily less hot animo
and more and more a careless ‘I don’t know.’

Migration

There had been tears enough last night. Now, breakfast settling
and the blood clotting darkly on his wounded arm,
he pulls his wet coat on. Stands up. And walks.

There had been tears enough last night. Her smartphone charged
up in the station where they’d tried to sleep,
she stands. She pulls her wet coat on. She walks.