Lessons from the Leopard

The welcome wagon shields us from the weather.
With four-wheel drive and food-chained every tyre,
we roll like lords across the lochs and heather
and (‘Pull!’) down birds of clay and those with feather,
their throats a song, their eyes on something higher.
We throw the clay away and cook as fryer
the latter bird. This makes us feel we’re free
of both, and by extension have to be
the kings of all we see from oil-slicked sea
to town and back, and all that lies between.

Our hubris is amusing to the leopard
who licks his chops while we crouch down to clean
our prey and pray the cat’s grin does not mean
what we are sure it does: our history’s peppered
with tales of cats less fond of sheep than shepherd.
We, sport killers, easily equate
with the urges of this feline and his mate
who’ve always killed more monkeys than they ate.
Monkey’s minor when a leopard feasts.
A proper meal, and sport, requires an ape.

Baboons will do. Chimpanzees, arrivistes,
make curious cuts—but on the geests
and other meadows we and leopards share
we are their favourites: slow and thin of hair.
Each day, somewhere, some leopard will explain
to one of us, alert through fright and pain,
our place in nature’s predatory chain.
Those of us the leopard’s personally taught
are oft consumed with interest in the topic
which means the leopard’s lessons come to naught.

Big-head chimpanzees claim the leopard’s tropic
and put on airs and clothes. Should they be caught
and eaten, their survivors say they ought
to have stayed inside the car, or heeded horoscopic
intelligence, or been ornithoscopic
enough to know the leopard’s not unkind
but (he’s our cousin) similarly inclined
to follow courses we’ve ourselves outlined:
killing what we can in every weather
as if the food chain cannot ever tire.

Brief Shining Moment

Life’s brevity extends another day.
A blackbird sings a brilliant hymn to spring.
Beside the burbling stream young otters play.
Trees bud new leaves, and almost everything
takes joy and magnifies it. Life is good.
Here, liveliest of all, a human child
dances lightly as the gods had known she would.
They count her days. She won’t, not for a while.

Nothing in Particular

Watching my my twenty-something thousandth sunrise,
Not that I have personally seen them all,
Having ceded some to clouds external and internal
Or simply from being asleep at the switch
From night to day
I rejoice with a mildness appropriate to
Septuagenarians settled by semi-centuries
Of taking lives as they come
Not that I ever have
Two seagulls fly over
Golden sun-rays beneath their wings
Lifting my spirits. I pour tea.

Morning Miracle

It’s predawn, and the wood doves are silent.
The sun slumbers under the sea.
One blackbird sings achingly sweetly
diluting the darkness with zeal.
Further off, past the sound of the breakers,
first light limns the edge of the world.
The wood doves and we and the blackbird
are witnesses: sunrise is grand.

Bug is the New Thanksgiving Turkey

The turkey that lurked in the lee of the lemonade stand
through the hum of the summer, and most of the autumn, till now,
appears on my plate, and surprised — existentially here.
I’ve had a lot on my plate, but a livid, live turkey’s absurd.
Should not slaughter, dissection, and plucking precede being served
like a badminton cock, or a locker-room sock that has swerved
through the air with a flare lit to guide it. I guess I digress.
I open my eyes. Tom Turkey stands still on my plate
and for his conviction that we should, like he does, eat bugs
to stay lean, and less mean, and friendlier to our friends the birds.
He flies off and leaves me with crickets, ants, mealworms and beans.

Red Horse Dancing

The red horse dances hours in the sun
rehearsing two steps left, a bow, a stretch.
Three wading birds make no tracks as they walk
across dried mud. It’s hot in the Camargue.
I take the heat and watch the dancing horse.
The horse nor I will try to ford the mud.

There’s no one here, forever, in this heat.

Flamingos wade the water, browsing gunk,
and muskrats gnaw the cane grass. I am home.
‘The Black Book’ — Durrell’s premier published work —
lies where I dropped it, Tarquin’s tortured ‘lorve’
no match for red-horse dancing. Egrets fly
around flamingos, muskrats, horse and me.

I think how Durrell’s ‘Quinx’ taught me the tales
that brought me to this flat and open space:
gypsies in Les Saintes Maries de la Mer.
That town’s now filled with tourists, but out here
the red horse dances. Alan has come home.

I saw this horse, free and loose (across the mud flat of the Mudflat Bat), dancing by himself for at least an hour. I’m couldn’t really stay there forever, although I was tempted. I don’t think you can be home in any one place when you are an Earth Tourist.

Mudflat Bat

The crescent moon hangs south, above the sea.
Out here in the Camargue the mud-flat bat
flies higher now. The atmosphere, you see,
has lightened. Insects lift, ensuring that
the mud-flat bat’s own mouth and mine won’t splat.
He flew so low on Wednesday that I feared
I’d swallow him in darkness, furry-eared
and sonaring the night. It scared him too.
Mosquitoes, the ones who Wednesday rudely jeered,
become his meal, malaria his stew.

Another ‘postcard’ — this one from the Camargue, a place of magic for me and part of the marshy delta where the Rhône river spreads out south of Avignon. In July the Camargue is hot and as dry as Arizona; in the winter two-thirds of it is underwater, sometimes only a few centimetres deep. I wrote this there one night, two miles north of the Mediterranean, standing out on a mudflat edge watching this particular bat inveigling me to write about him, or to open my mouth.