September Siesta

I lounge alone on Peter’s patio
that frames the gathering grey clouds storming past
between high-hanging, stock-still clouds of white
and me boxed here against the coming night.
The sun scores silhouettes on banks of white
and writes initials on the crescent moon.
The moon, self-centred from this patio,
backlights high-flying swallows as they flow
and flip, appearing swiftly from stage left
to exit right as cannon fire that soars
up moonwards. Downstage, modern feasting Moors
and Christians re-enact their ancient wars.

Mansuetude

Grass slithers like a snake can make it do.
I’d throw my knife but I’d be scared to fetch
it back, and what it maybe might go hit.
And suddenly I’m crying
and I sink flat out down somewhere near the path
and the lavender I crush absorbs my tears
and Georgia red-clay blues hot-wire my brain.

Old songs I have not heard in twenty years
and some I never sang
ignite a welder’s torch between my ears.

The flame, too bright for conscience, channels webs
I spin each night with anybody’s legs
and God reclaims the Chevrolet Impala

and you say, ‘No, no, we were never pinned,’
and a paunchy self-assured grasshopper wearing
lime lime lime lime green
mounts the grass stalk by me, slowly turns his back,

and he and I watch as creation passes:
ants, black wasp, September afternoon.

Water Bearers Bringing Gin

It was Spring, a time that Grungy Dinah pined
for love. Spring sprang sap-hazardly. Dawns lengthened.
Eves shortened. Adams appled. Fauns were fined
when caught flagrante delicto. Their lusts strengthened

poor Grungy Dinah’s dreaming that her own fate
involved one couple’s coupling, wherein she
was the female actor (actress?), and the ‘he’
was whichever ‘who’ three gins proclaimed her mate.

Not ‘whom?’ she pondered. Days and fortnights passed.
The winds of grammar wound their winding sheets
around her nouns and pronouns. Sap was sassed
till Spring wound down in Gunga Din defeats.