Ages of Moan, Nr. 1

If cynicism’s seven I am nine.
The labels used for politics seem daft
as those of literature, and even mine
are drafty as a rotten-boarded raft.

Conservative is meaningless where Fate
is actually nothing. Liberal is less.
Romantic’s passed by years its sell-by date
and Realism’s forced and must confess

that they are all, these labels, nothing now.
But Life itself is filled with Gems it means
to be adored, not analyzed on how
they might be labeled. I adore the clean

and mystic wonder of Life’s precious things
like birdsong, smiles, and ageless wedding rings.

Expounding Chaos

Pursuing nothing, you had made no sound.
I had focused on the absences in rock
and turned my back on each, till turning round
to what was left, your presence, I took stock
and settled on where nothings weren’t, and found
you guarding eggs. A nesting raven cock!
Your study made you steadfast, but you screamed
when I seized you by your neck. I had not dreamed
cock ravens could be captured on a mountain,
setting on six eggs on stony ground.

Feather Duster

This falling feather flosses out my mind.
It’s quill’s fine filigree both stokes and quells
my fears, forgives the furor my thoughts cause.
At least imagination bids me think
this fancy true as any other held
by man and ape upon the watered rock

that we call Earth. Our cerebella rock
to reconcile impressions that we mind
forgetting. Stocked with false ideas we’ve held
since Odin was a pup, my conscience quells
at learning aught that’s new. I’m taught to think
tautologies, reject emotions’ cause,

progress the prelates’ calculus, show cause
in prissy predicates that place a rock
upon our wisdom’s grave. I truly think,
I think, existence is a grind I mind.
To forage in my heightened forehead quells
all chance of knowing truth. My hubris held

my hopes at knuckle height. In fact it held
me hostage to reliance on First Cause,
as if it mattered What it is that quells
the quintessential harmonies that rock
the rabid cave bear reigning as my mind.
My alma mater cringes when I think.

‘As well it should,’ I think I hear you think.
‘A shame,’ you add, ‘this “thinker” can’t be held
for eons in the maw of frosty mind
to nibble nuggets from raw ore and cause
a comic mudslide capped with falling rock
that hacks off gods ensuring that one quells

his run-on words, his Runyon swords.’ What quells
me quickest (I should know) is fear, I think.
So bind your thoughts, compress your sand to rock
and cobble walls like Hadrian’s that held
and gave the Romans pause (or did it cause
the Scots stay home? Whose haggis come to mind?)

The feather joins me hoping you won’t mind,
or muddle fairways taking up a cause.
The road to Hades’ paved with thoughts I’ve held.

A Short Piece

Of the night sleeps I remember none are short
as this one, stopping on the second line
of counting sheep to stare into the dark.
Outside, a baby’s screaming like a cat.
I pretend it is the other way around
and blank out themes I wrestled with in ‘Piece Work.’

One’s killing to save peace. It only works
for spans of time that are extremely short.
A chamber of the sort that takes a round
expels a load that tracks a laser line
from a man I’d called my neighbor towards the cat.
My eyes trace glaring red-blacks through the dark

into the trees. The morning starts off dark
and worsens with each step I walk to work.
On a tree I see a poster for a cat:
a child is missing. There’s another short
note penned below it: felt-tip single line
that the cat and child no longer are around.

My partner in our workplace shuns my round
of questions. Answers leave us in the dark
as they must for now; we only have the line
we gave each other when we came to work.
The lines of customers grow thin and short
and thinking comes in quietly as a cat.

We two, who once were proud of how we’d cat
around, when times were easy, have come round
to valuing what’s important now we’re short
of options, and we rage against the dark
together, as if rhetoric could work
a miracle. We want a party line.

‘Peace at all costs’ and ‘Do not cross this line’
compete, and we consider if the cat
survives its boxing; we ask whether work
will be an option if bad forces round
upon us and extinguish peace. The dark
unites us and cuts hopes and whining short.

We load our weapons for the coming round
of vigilance, hold lines against the dark,
and think our war successful. Peace is short.

Child Armies

I am not well. My soul’s not dead but sick.
It cries for leeches; bloating, would be bled,
or freed in modern fashion from the toll
extracted here by Caesar’s rule; and there
by children scratching at the scabs they grow,
or would, would warlords let them once just be.

These children! They should sit in school or be
away at summer camps: get cramps, feel sick
a bit from biting melons that still grow
along the edge of fields. (When these fields bled
young brother’s blood filled up that ditch, and there
lay sister’s hand, she’s eight years old: the toll

of yet another spat.) These days the toll
of burial bells rings every noon, let be
at dawn, at dusk, at night. And over there,
across the cove on neighbors’ ground, the sick
hunch down: they’re scratching out the stumps of bled
and blasted fruit trees blown away. Here grow

no more the shady tops and trunks. Here grow
instead cracked rocks, some not tilled crops. The toll
among the children’s even worse. Who bled
their eyes of tears, daubed out where there should be
a sparkling glint of healthy fun? Eyes sick
and cynical: lies Lucifer in there,

where babies harbored happiness? It’s there,
among these baby brawler minds we grow
(yes, “we”) as fodder for a farce more sick
than serious or grand, I hear the toll
of hope’s demise, of what these tots could be.
Their bodies grow in spite of us (who bled

resources, poisoned what was left; who bled
these children’s humanness away). Is there
no place they can retreat, no crèche to be
created in once more, and, cuddled, grow
in graciousness, avoid the warrior’s toll
that levies suffocation, makes them sick?

These children warriors we have bred are sick.
Beheading them lets us postpone the toll
that nature wants as populations grow.

Mimosa

Three roles, all different facets in one person who exists only really as dialogues in himself: Maarten the Muser; Renaldo the Reactor; and Chorus, a trio of ornery kids he might have been or be becoming, circumstances permitting.

As the stage lights come up Maarten stands to the left. Renaldo sits looking at his hands. The three Chorus members stand on the proscenium wearing short trousers, silver masks, and silver-tipped tap shoes that they stamp as they shout each beat of their Chorus lines accompanied by drums and sheet lightning.

Mimosa

Maarten: Where go our thoughts when we loose them?
Renaldo: Who is bothered?
Chorus : We all are!

Maarten: Would thoughts lose their hues should we find them?
Renaldo: They’re hewed lower.
Chorus : Renaldo!

Maarten: Richer than music, thoughts come back
Renaldo: I’m atwitter.
Chorus : He’s solo!

Maarten: like sun in a clear stream remembered:
Renaldo: I could bridge it.
Chorus : A cards pro!

Maarten: walking to very first school day
Renaldo: On the boardwalk!
Chorus : No dunce, so!

Maarten: with biscuits she made for my pleasure.
Renaldo: So delicious.
Chorus : From best dough!

Maarten: Box lunches we lost in the shadows
Renaldo: I still miss them.
Chorus : Helped birds grow!

Maarten: when she stood much taller than I did
Renaldo: How I loved her.
Chorus : We all go!

Maarten: mimosa trees that I could climb then
Renaldo: Hid from brother.
Chorus : No help though!

Maarten: were cut down much later and bundled.
Renaldo: They had blighted.
Chorus : Ebbing flow!

Maarten: Found under dikes from my childhood,
Renaldo: Were they planted?
Chorus : We can’t know!

Maarten: they loosen emotion this evening.
Renaldo: Who is bothered?
Chorus : We all are!

Twin Set Match

Living ’neath my expectations
and way the hail beyond my means
I nick Luther’s ancient pickup
and haul ass for Bobby Breen’s

’cause old Bobby’s got twin daughters
that in springtime give me chills
when they sunbathe in the pasture
where Bird Creek runs from the hills.

Chills that turn to fever as the show gets underway,
Red-hots that can corpse a man too dumb to stay away.

Folks down here fear reputations,
say Breen’s killed men in rage,
say that he shot creep bird peepers
with his double-ought ten-gauge…

(I’m gonna make my move today
and to hail with my cold fear
I have to see those honey twins,
four strong legs, long, up to here.)

…say he spied those peepers panting,
hunkered down Bird Creek’s left bank;
gave them both acute lead poisoning,
weighed them down so much they sank.

Folks say the twins cried, “Daddy, shoot!”
sauntered, dressing, making fun
of the creek’s pale rosy bubbles,
twin sets in the setting sun.

Chills that turn to fever as the show gets underway,
Red-hots that can corpse a man too dumb to stay away.

I act a little cool, half wise,
when folks tell me all this stuff,
glad they’re so dumb and forgetful
that I told them most of it

to keep the other guys impressed,
so far from Breen’s domain.
Laugh to see the yokels shudder
when they chant the old refrain:

Chills that turn to fever as the show gets underway,
Red-hots that can corpse a man too dumb to stay away.

Here comes Brenda bouncing blithely;
she’s the blonder of the two.
Where the hail did Ellie Mae go?
Can’t set sail with half a crew.

I step out and wave to Brenda,
shade my eyes against the sun
then spot Ellie in the shadows
as she raises her pa’s gun.

Chills that turn to fever as the show gets underway,
Red-hots that can corpse a man too dumb to stay away.

“We’ens hear you’ve bad mouthed Daddy,”
comes to me in stereo,
“The wrong you’ve done that righteous man
means now you will have to go.”

Brenda hurls a chunk of mine quartz
that I dodge but she just grins.
Ellie Mae sights down both barrels,
fires a round into my shins.

Chills that turn to fever as the show gets underway,
Red-hots that can corpse a man too dumb to stay away.

They drag me down the creek’s left bank.
I see buckshot on the rocks,
shreds of still-new stone-washed fabric
from red Wigwam hunting socks.

Both twins laugh me down like witches,
that’s the last sound my brain gleans
as Breen’s double-ought chops cotton
in my Calvin Klein blue jeans.

Fine Night Music

We’re dancing slow.  I hope the music never stops.
The steps you executed on the stage
are muted here with me, just subtle hops
the others hardly see.  You’ll be the rage
of critics who reviewed your play tonight.
But in this brown Café your pas de deux
blends fine with mine.  Times like this I love you.

You’re back so life is grand.  Please just hold me.
Your back against my hand is warm and strong;
the exercises work.  You look eighteen
but years more interesting.  It was wrong
to separate.  I’m still not right.
But in this brown Café your pas de deux
blends fine with mine.  Times like this I love you.

I know this city’s music, how its notes
attract us dancers, make us want it all.
It’s your turn on the high wire.  Jostling boats
of patrons call you.  They’re your fans.  Don’t fall.
But in this brown Café your pas de deux
blends fine with mine.  Times like this I love you.