Mad Helmut’s Tea Party

Bloomsday. Today. The 16th of June, the date (in 1904) that James Joyce chose to let his character Leopold Bloom start out in UYLSSES. One word encountered in that book — ‘hyperborean’ — stirred up the Durac and the Slynog to celebrate at Mad Helmut’s Tea Party.

Mad Helmut’s Tea Party

‘I’m hyperborean as much as you’ Buck Mulligan to Stephen Dedalus in James Joyce’s ULYSSES

‘Compared to you I am much more hyperborean’,

said the Slynog. ‘I am also mad for tea.

While you, my addled, fat, and calm historian

remain inert, a late-lunch parolee

as like as not to be an absentee

when North winds blow up harder, heeling ship

away from where there’s harbour, landing strip

and tipples bar.’ The Durac rose and shrugged.

It heaved the anchor, gave the waves the slip,

and pointed to the shoreline their boat hugged.

‘Hypoborean I may be,’ the Durac said.

‘If that’s a word. You steer boats by their wake

and were you our navigator we’d be dead.

So slur on, Slynog. Don’t make the mistake

of thinking finding home’s a piece of cake.’

Together the companions hoisted sail.

Together they turned green, hung oar the rail.

The North winds blew, the duo turning blue

and blowing kisses to disgusted terns

they sailed strait home by way of Timbuktu.

In Memoriam

Nothing holds its own today.
Death that lurked has come and gone.
One more spirit taking flight,
one less left to share this song.

Clocks wind down and no one cares.
In the noon sun I see night.
Strange how nothing live prepares
you for a soul that’s taken flight.

People group around and grope
for the right words to explain
how time will heal the hell they know
nothing is the same again.

Can you hear me where you’ve gone?
There’s no answer anywhere.
Not a note. Just rain descending
and the feeling that you care.

Brief Shining Moment

Life’s brevity extends another day.
A blackbird sings a brilliant hymn to spring.
Beside the burbling stream young otters play.
Trees bud new leaves, and almost everything
takes joy and magnifies it. Life is good.
Here, liveliest of all, a human child
dances lightly as the gods had known she would.
They count her days. She won’t, not for a while.

Bird Creek Summer

I was five and able still to float slightly above the ground when I ran hard, especially downstream over the big rocks in “Cottonmouth Moccasin” Creek. He was the biggest man in the world, my Grand Father. Took me all over that wilderness farm to show me bugs, birch trees and bird song. Yes, you can see bird song, with your eyes shut so tight that the remembered sun looks purple.
Grandfather, still strong, stout and sturdy at seventy-four, taught me how to see, and saw again through my eyes too. We were a pair that summer. “It’s Bird Creek,” he told me. “Don’t exaggerate its name just because you saw one snake and asked me what it was and I told you.”
Going up Bird Creek we both took our shoes off; he carried them, and waded right up the middle, splashing well away from the banks where there had been but the one snake. “A little waterfall,” he said. I said it’s awfully big. “Just always hold on somewhere,” he said, and we climbed right up in no time, him right behind me, carrying our shoes and his hoe.
Trees, mostly hardwoods, some pine, no poison ivy here, and almost no sun: the creek banks a crawling crevice topped by — what? Too far up to see from here.
Hours passed! “One hour,” he told me. We climbed the lower ridge. Below us lay the orchard. I know where we are! “That’s good,” he said. “Let’s go.”
Ranging the rough ridge: much sun here, weeds, grass, a million bugs. “Perhaps,” he said. “Stay on the trail; I think I smell lunch.” I ran ahead then fell behind. I read a spider’s web. Grandfather trod, plodded on, the hoe in his right hand. We could almost see the cabin when his hoe stirred a nest of bees.
They swarmed up, yellow jackets circling looking for a villain just as I got caught up, caught first stings and squealed. Jumped high for someone twice my height and almost really flew down the ridge looking for sanctuary and Grandmother.
Many, many, many leaps further on, a few, I looked back for Grandfather. He stood there in the swarm, his warm denim overall jacket over-decorated with all the yellow jackets except those on his hands and face and hoe. Laughing a big laugh that scared birds, startled deer and made the creek rocks smile.
Still laughing, he helped me cross Bird Creek, put on my shoes and stop crying. “Stop that,” he said. I did. He was still laughing when Grandmother rushed out, hugged me, made a tobacco paste and put in on my stings. Still laughing at lunch.

Nothing in Particular

Watching my my twenty-something thousandth sunrise,
Not that I have personally seen them all,
Having ceded some to clouds external and internal
Or simply from being asleep at the switch
From night to day
I rejoice with a mildness appropriate to
Septuagenarians settled by semi-centuries
Of taking lives as they come
Not that I ever have
Two seagulls fly over
Golden sun-rays beneath their wings
Lifting my spirits. I pour tea.

Morning Miracle

It’s predawn, and the wood doves are silent.
The sun slumbers under the sea.
One blackbird sings achingly sweetly
diluting the darkness with zeal.
Further off, past the sound of the breakers,
first light limns the edge of the world.
The wood doves and we and the blackbird
are witnesses: sunrise is grand.

BILLBOARDS

Cynic admonishes:
‘When you wish upon a star
you bet on something that’s too far
away to pay attention to
something minuscule as you.’

Stellar response:
‘Don’t underrate the speed of light.
We’re here for you day and night.
Pay no heed to cynics who
try to tarnish hope for you.’

Cynic sneers:
‘Ooh, silver linings! What comes next,
peaks with clouds up to their necks
who divert from mountainous tasks
to help poor you because you ask?’

Stellar response:
‘To believe in only what you see
blinds you to reality.
Once you’re wise you will perceive
that seeing starts when you believe.’

Greasepaint Pangs

‘The tears roll down [Which way did you expect?]
the ageing actor’s cheeks.’ [Who isn’t ageing?]
My unwanted shadow editor directs
attacks on how I speak and think. He’s staging
a sit-down strike against my muse who’s paging
the gods and me to create something fine.
The chance is nil that I’ll achieve divine
or even adequate prose with my darts
of inspiration, but I’ll keep on trying
before the ageing actor’s out of sorts.